#C3 midi note number software

In Score Settings, there is no display transpose. Result: the note shows on the third space of the treble clef.

Select the MIDI part, then open Score Editor.

Go to Key Editor, write a single note on C4.

Add Instrument Track with Halion Sonic.

Why ? Is this some Japanese or German standard? Or is there a technical reason why in Cubase C3 = 261Hz? Furthermore, can I configure C4 as middle C? This points to the fact that Cubase’s middle C is C3, not C4.

In the Score Editor, C4 notes actually show on the third space of the treble clef. So if I want both Stutter Edit and MRhythmizer to agree, then I guess I need to put that Cakewalk Transpose MIDI FX plug-in on the MIDI track.I just discovered that Cubase’s middle C seems to be C3. Which it turns out, is not an absolute like 0-127 is. Where it comes unraveled is that these plug-ins are doing something other than playing a note, they're launching their sequences or gestures or whatever based on what note they receive and they label their slots the C1, D1 way. They speak in whole numbers from 0-127 and that's that.

#C3 midi note number software

Trying to get my head around this: the reason I can play a middle C on my controller and the sound that comes out will always be middle C in a software piano or organ is because my controller doesn't care about this C-whatever-number, it's just sending the number 60 to my interface, which is passing it to Cakewalk, which is passing it to the synth, which knows what pitch to play when it gets a 60. Now, if I have a MIDI note that Cakewalk calls 'C1,' Stutter Edit will respond to it as C1, but MRhythmizer thinks the note is C2. This got me through my Producertech Stutter Edit course without clawing at my head. I set 'Base octave for pitches' to -2 to get Stutter Edit 2 and Cakewalk to agree, so I could put in a C1 in the Piano Roll and have it register as C1 in SE2. I can see how NASA screwed the pooch on that unmanned probe by having one engineer calling out a dimension in centimeters and having the probe part built in inches. I know I got an answer to my question, but I just wanna vent here: I've been wading deeper into the glitchy waters of Stutter Edit 2 and MRhythmizer and this discrepancy between how they and even other DAW's designate note names is driving me nuts as I try to switch back and forth. (How charmingly quirky that this setting appears under Display rather than say, MIDI.)

So if I set Base octave to -2 it should start lining up with the plug-in and I can stop getting lost in the MIDI tutorial and focus on getting lost among the plug-ins myriad controls. It would appear that Stutter Edit uses the Yamaha standard (I would have thought during the Roland ownership days, Cakewalk would have had the Roland one thrust upon it). 'Got a standard, now it's time to get back to work making working with our stuff harder for other developers.' Reminds me of spouses who apparently used the extent of their relationship skills to get married and then develop none subsequent to that. Once the standard was defined, they did their level best to diverge from each others' efforts to expand upon it, like GS vs. I think it explains why certain soft synths, when I use 'bass' patches are either not that bassy or seemingly below the range of human hearing.Īnd sheesh, for a couple of the companies that founded the MIDI standard in the first place, it makes me wanna clonk their corporate heads together.